This body of work was created out of the need to express myself and where I am at now. My sadness and grief, over the loss of my friend, overwhelmed me at points. Causing me to wake up and see what I am doing as an artist, a parent and a photographer. I questioned myself in each of these areas. Creating a rift between my past and my present. Since this awakening, I’ve used my time to nurture my relationship with my son and with my art. Living each day in the present, trying very hard not to think about the future or the past.
I made the decision to place my Duality project on hold while I sort out my new direction in life. I continued to shoot myself, but decided it was time to shoot in the present mind frame. My transient life, so very temporary and delicate. Each emotion I have is contradicted by my environment, creating a new space of where I am and where I belong.
When I left Cali, I was dead set on living in New Orleans, near my best friend and in the city I left many years ago. I made the assumption that it was the same and I’d be able to take part in the art community to build a business. Unfortunately, I couldn’t stop the memories of my best friend flooding my mind each time I was in the city. So I stopped looking for my place there.
I began creating images based on the instability I was feeling. I wasn’t comfortable in the South, I wasn’t looking forward to living here. I started to create images that illustrated how I felt inside. I felt like I was in between, in transition from one life to another but no longer in either. It was this space that I created in order to make sense of my mind’s ramblings.
These days I’m trying to remember that the moment is more important than the past or the future. So often I get caught up with where I’ve been or trying to get to, I forget to stay consciously in the now. I forget to stop thinking. I forget to breathe. I forget to enjoy the moment, lengthen it for as long as possible.
This work is about the now, this space in my life. I was torn between my West coast life and the South. My mind was never still, always anticipating the future and how I was getting there. The more and more I was around my son, the more I realized I wanted to enjoy the moments we were having. I had to learn to quiet my mind, so that my son could enjoy our time. As a kid, there is only the now. They don’t think too far ahead and he can’t remember much of his short past.
This project has challenged me to shoot photography that represents who I am today. They are self portraits, created with double exposures. I shot images of myself and my environment, then combined them digitally. They express the transient qualities of seeing in between the moments, pausing to breathe. Over the Summer, I plan to become one with my medium format camera in order to continue the project in film.
The images I am presenting are the ones I find most cohesive, in line with my thoughts and each other. They blend together two perspectives, two places in time. The double exposure brings a plasticity that allows the mind to float back and forth in the picture plane. The senses are allowed to absorb the colors and the shapes, distracting the mind from straying away from now. Essentially, the images allow my mind to rest, lengthening the space between.
The progress I have made since I left California is great. Now, I have a group of images that have set the tone for the direction of the work. I have figured out what types of images I am blending and how to shoot for them. I’ve thought about what I want the audience to feel and have found it in the equivocal space.
By using tactile plasticity as a technique, I am creating a particular feeling. By blending images together, I can let the viewer’s mind play around the plane. The mind’s eye can move back and forth, in and out of the images. Seeing them separate and as a whole. The images distract the mind from intruding thoughts. The act of figuring out the two images gives the mind a break. No longer are the thoughts of tomorrow or yesterday clouding the mind. The only thing is the now, whats inside the picture plane. It’s a fun way to play with the eyes and the mind.
Being always in transition is hard. I am always worried about the future and sometimes depressed about the past. I get caught up in preparing myself for the next move, when I needed to just be in the now. I’m slowing down to see what these in between spaces have to offer for personal growth.
For the direction of the project, I am trusting myself and the process of evolution. As I shoot more and with film, I understand the aesthetics may change, but the subject and plasticity won’t. I will continue to shoot daily and create a data base of images to work with. I understand I use the cameras as tools to create art, express my ideas. So I will allow work to evolve and unfold, showing me the way.
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