Emerging; A Collection of Fine Art Nudes

“When women pose thoughtfully and artistically – in nothing but their bare skin – they find themselves. They discover that they are truly alive. They become a Nude.”

~David Allio

The French Academy in the 19th century viewed the depiction of the nude as the ultimate measure of an artist’s skill. Today, I too regard the nude as a measure of my own skill and maturity. As I worked on each of these, I watched myself grow and found an identity as an artist. I present an obsession of female nudes inspired by masters of paint, Ingres, Titian, Bougereau and Velasquez. I incorporated their selection of rich colors, symbolism and chiaroscuro lighting to create my own works of art.

The results are an honest appreciation for beauty, expressed poetically by the artist.

I have studied the nude as a subject for nearly a decade. In this time my work with the subject and photography has grown immensely. I’ve produced a beautiful Moleskin Monograph to showcase a selection of my work. Each image is available as an 8×10, limited edition giclee print, on Hahnemüle fine art paper. These prints will soon be made available on Saatchi Art online as well as http://www.MelodyHallFineArt.com. If interested, please message me for details.

Thank you all very much for your support and kind words. I couldn’t have chosen a better career than creating art for people.

Emerging Book

Advertisements

The Space Between

 

This body of work was created out of the need to express myself and where I am at now. My sadness and grief, over the loss of my friend, overwhelmed me at points. Causing me to wake up and see what I am doing as an artist, a parent and a photographer. I questioned myself in each of these areas. Creating a rift between my past and my present. Since this awakening, I’ve used my time to nurture my relationship with my son and with my art. Living each day in the present, trying very hard not to think about the future or the past.

I made the decision to place my Duality project on hold while I sort out my new direction in life. I continued to shoot myself, but decided it was time to shoot in the present mind frame. My transient life, so very temporary and delicate. Each emotion I have is contradicted by my environment, creating a new space of where I am and where I belong.

When I left Cali, I was dead set on living in New Orleans, near my best friend and in the city I left many years ago. I made the assumption that it was the same and I’d be able to take part in the art community to build a business. Unfortunately, I couldn’t stop the memories of my best friend flooding my mind each time I was in the city. So I stopped looking for my place there.

I began creating images based on the instability I was feeling. I wasn’t comfortable in the South, I wasn’t looking forward to living here. I started to create images that illustrated how I felt inside. I felt like I was in between, in transition from one life to another but no longer in either. It was this space that I created in order to make sense of my mind’s ramblings.

These days I’m trying to remember that the moment is more important than the past or the future. So often I get caught up with where I’ve been or trying to get to, I forget to stay consciously in the now. I forget to stop thinking. I forget to breathe. I forget to enjoy the moment, lengthen it for as long as possible.

This work is about the now, this space in my life. I was torn between my West coast life and the South. My mind was never still, always anticipating the future and how I was getting there. The more and more I was around my son, the more I realized I wanted to enjoy the moments we were having. I had to learn to quiet my mind, so that my son could enjoy our time. As a kid, there is only the now. They don’t think too far ahead and he can’t remember much of his short past.

This project has challenged me to shoot photography that represents who I am today. They are self portraits, created with double exposures. I shot images of myself and my environment, then combined them digitally. They express the transient qualities of seeing in between the moments, pausing to breathe. Over the Summer, I plan to become one with my medium format camera in order to continue the project in film.

The images I am presenting are the ones I find most cohesive, in line with my thoughts and each other. They blend together two perspectives, two places in time. The double exposure brings a plasticity that allows the mind to float back and forth in the picture plane. The senses are allowed to absorb the colors and the shapes, distracting the mind from straying away from now. Essentially, the images allow my mind to rest, lengthening the space between.

The progress I have made since I left California is great. Now, I have a group of images that have set the tone for the direction of the work. I have figured out what types of images I am blending and how to shoot for them. I’ve thought about what I want the audience to feel and have found it in the equivocal space.

By using tactile plasticity as a technique, I am creating a particular feeling. By blending images together, I can let the viewer’s mind play around the plane. The mind’s eye can move back and forth, in and out of the images. Seeing them separate and as a whole. The images distract the mind from intruding thoughts. The act of figuring out the two images gives the mind a break. No longer are the thoughts of tomorrow or yesterday clouding the mind. The only thing is the now, whats inside the picture plane. It’s a fun way to play with the eyes and the mind.

Being always in transition is hard. I am always worried about the future and sometimes depressed about the past. I get caught up in preparing myself for the next move, when I needed to just be in the now. I’m slowing down to see what these in between spaces have to offer for personal growth.

For the direction of the project, I am trusting myself and the process of evolution. As I shoot more and with film, I understand the aesthetics may change, but the subject and plasticity won’t. I will continue to shoot daily and create a data base of images to work with. I understand I use the cameras as tools to create art, express my ideas. So I will allow work to evolve and unfold, showing me the way.

Where I am and where I belong

That is a double edged blade in words. I’ve moved across the nation to be with my family and reassess my business and organize my thoughts. It’s been heart wrenching. The city of New Orleans has changed so much. And without my best friend Lance there, it seems pretty pointless. I didn’t realize how much I was depending on him, his friendship… just being alive. I think his death is still one of the hardest things to deal with. I am glad to be home during all this. I wouldn’t be able to do it alone in Cali. At least here I have my family, my son and support. I know Lance is here. Or at least I tell myself that.

These images are a few double exposures I captured last week in New Orleans. You know I’ve been combing them, looking for any sign of Lance. We used to walk these streets every weekend as high school kids. Talking about living together one day, writing down numbers to rentals. That was a lifetime ago. I can’t seem to shake the memories, as clear as yesterday. I hope he’s adjusting and knows how much everyone loves him. Still can’t believe he’s gone. That city is empty without him, like a broken heart.

 

Longing to Be Me Again

Longing

Longing to be me again is something I often catch myself doing. Reminiscing the days when I was social, when I wore make up and cared about what people thought. Sometimes it’s nice to just dress up and be complimented. These days there is more quiet in my diet and less chatter. I introvert some times of the year, reflect on my growth and think about where I want to go from here.

Duality has taken me to many places in and out of my mind. I always end up back where I start. Some call it full circle, I call it refueling. Gathering my-selves and estimating our worth. I’ve learned so much and feel like I’m just beginning. Not starting over, just moving in a different direction. Changing my sway, my swagger… but still to a beat. The music never stops for me, it just changes tempo.

 

Test shoot with a Mamiya 645 & a bulldog named Winston

I finally got some of the film developed from my first test with my bulldog Winston. I really love the feel of film. The aesthetic could be compared to listening to a record. The nostalgic qualities of the clicks and pops, the warmth of the sound. Same with film, and when you get to shoot with medium format, the desire for digital fades like a mediocre dream. There is so much depth to this, like I’ve gone beyond the two dimensional surface and into little Winston’s soul.

These are straight out of the camera, no time to even process them any further than chemistry. I love it when things work out right, the first time around.

Winston Winner