light, color and architectural influence define his style and continue to influence artists today. When I first learned to paint, I referenced Hopper’s use of light and shadow.
I consider Welling a well rounded artist. Not limiting himself to one medium, but making an effort to learn about the different formats of art in order to shape his own. I, myself, have studied art in a similar way. Learning not only about photography, but drawing, charcoal, painting, video editing, acting, set building and jewelry making. All of which have contributed to my own craftsmanship.
I look to James Welling as a diverse pioneer of art. Like Man Ray and Andy Warhol, he isn’t afraid to attempt what others shun. He started working with long exposure Polaroids and tested unconventional methods to intensify colors, such as adding heat. There really is a science to it all and I appreciate the initiative to step outside of the set boundaries to create a niche for himself.
Welling explores color, shapes, textures, mediums and light through unorthodox techniques. His work was stated to be a critical evaluation of photography in contemporary art. His untitled Photograms (1988-2014) are meditative and mood altering, simply by color saturation, lines and gradients. I find his work very organic even though they employ geometric shapes and fractals, which are a part of natural geometry. When I perceive my current work, I make use of shapes, lines and color in a similar manner, to evoke moods and narrate emotions.
In Welling’s architectural images, I find solace and reflection. Each empty room of Wyeth, (2010), give thought to the many rooms of my mind, places I’ve been, lives I lived. They reveal a little bit about myself as a viewer, forcing me to contemplate my past. All of Welling’s work seems to be a study, a form of research. Each time, creating a series of images worth sharing, allowing other artists to grow from. They remind me of my own experiments and how much I enjoy the alternative aspects of photography. I enjoy being hands on. If it is too immediate, the gratification is null. I feel I must work for my art, finding new paths of expression, deviating from the norm.
When I think of my own work, I look back before the Academy. I recall the adventurous attitude I had about photography, the thirst for learning. It was refreshing and now that my work has changed, I am feeling this sense of rejuvenation in my art. I have a firm comprehension on why I love photography and art in general. It’s not just the expression of myself, but the adventure in learning, the
You must be logged in to post a comment.